The 51st State?
How and why did the Upper Peninsula become part of Michigan? Did it ever try to be its own state? Will it ever become one? These are just a few questions to be discussed in the Beaumier U.P. Heritage Center’s new exhibition, “The 51st State?” The exhibition will open with a public reception at 6 p.m. on Friday, October 11. The exhibition and reception and free and open to the public. The exhibit will be on display through March 28.
“The 51st State” will delve into how the Upper Peninsula became part of the State of Michigan and the various initiatives over the past 170 years to separate the Upper from the Lower Peninsula. It will begin by focusing on how the U.P. was originally the homeland of the Anishinaabek and how they were acquired by the United States. In addition, the exhibit will explore the cultural differences between the two peninsulas. Lastly, the exhibition will look at the financial and cultural realities of statehood in the 21st century.
On December 14, 1836 in Ann Arbor, at “The Frostbitten Convention,” a group of delegates ratified a compromise between the State of Ohio and Territory of Michigan, which finalized the location of the border between the two neighbors. As compensation for giving up their rights to the “Toledo Strip,” Michigan was gifted most of the Upper Peninsula, even though the land had still not been officially acquired from the Native American tribes and bands of the region. At the time, most Michigan residents were angry about the compromise, thinking they got the short end of the stick. However, that all changed when the region’s great wealth of resources began to be exploited and helped fuel the growth and expansion of the State and country. The exhibition will feature dozens of photographs, maps, artifacts and documents related to various statehood initiatives throughout the decades.
"Hollywood Comes to Marquette County: The making of Anatomy of a Murder."
Originally created in 2009 to celebrate the 50th anniversary of the film, Anatomy of a Murder, this exhibition features twelve individual panels mounted in six banner stands. On the panels there are dozens of rare images from the making of the film, a time-line for the book, film and Voelker’s life and also links to oral history interviews with some of the participants.
"Wooden Boats Afloat"
Created by the Bonifas Art Center, this exhibit is a Michigan Humanities Council project that documents for the first time the wooden boat-building heritage of the Upper Peninsula. The exhibit looks at the role of wooden boats in the U.P.’s economic, social, and cultural settings.
Contributions include input from boat enthusiasts and experts from restoration boatyards, Huron Mountain Club, Westshore Fishing Museum, commercial fishermen, and rowing clubs.
Special features include displays on the Great Lakes Boat Building School and Birch Bark Canoes.
Sponsored in part by: “Wooden Boats” is made possible in part by a grant from the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this project do not necessarily reflect those of the National Endowment for the Humanities or the Michigan Humanities Council.”
From Chalk to Light Boards: Technology at NMU
On Saturday, February 16, the Beaumier Center will be opening a new exhibition about the changes in technology on campus. The exhibition will feature dozens of artifacts from the Center’s collection and from offices and storage facilities across campus. The exhibition will delve into how technology is used on campus today and where we are headed to in the future.
Admission, as always, is free and open to the public.